[ she has a small idea of how much he’d missed those—not least of all because it’s a conversation she’d had with dugan. there’s a reason why the howlies shipped back out to europe even after the treaties were signed. but peg holds her tongue on that front; she doesn’t want to discuss the mutual friends who are still mourning him.
instead, she shifts an inch further up the bed—making room for him and making herself more comfortable. ]
I’d wager a tenner you already know the street—if not the exact address.
[ she answers with a played-up huff. her chin lifts; she performs her defensiveness. peggy knows she’s guilty of burying herself in her work—that maybe, just maybe, those quips about being married to her job are more truth than joke.
it’s a near-impossible thing to admit to on a good day. doubly so when confronted with the example of someone who has fully relinquished his calling simply to be here. back here.
with her. ]
Tradecraft isn’t getting any quieter. [ this is what she confesses, instead. ] If I don’t go into the office then I wind up doing work at home—and that’s something of a security risk.
[ but she doesn’t want to talk about herself. so, instead, she starts to flip through his notebook with more attention paid—digging into its contents and details. ]
[ there are notes about music, books, films, modern food. There are also pictures, all of them in vibrant colours, all of them of an odd group of people. ]
These are my friends. My team - the Avengers
[ his voice softens. It's odd to talk about them when some of them have died. They will only meet again in years and years. ]
[ when he doesn’t scold her for snooping, she snoops some more—pausing to read a full paragraph on something called a cronut. some details are charming; others are bleak and uncertain. all of them, every last one, is penned or penciled in his strong and familiar hand.
she turns a sideways photo right-side-up and marvels at its clarity and colour. ]
Sounds like a line you’d find on a propaganda poster.
[ earth’s mightiest heroes. but there’s something slight and honest in her smile—she doesn’t hate it. ]
—Who’s that?
[ peggy taps a familiar-looking man with a distinctive goatee. so quick and curious, she is. ]
[ steve looks at the person she's pointing at without saying anything. A great part of him is still grieving Tony and his daughter who will grow up with the memories of her father's legacy - much like Steve did.
He's looking for the life Tony urged him to live. He knows he would approve of this in his own weird way. He looks at her and covers her hand with his. ]
I think you already know. Would you like ne to tell you about him?
[ she does know already—but it’s a strange and unsettling knowledge, the kind that jars with everything she knows is probable. except that howard has settled down. and he’d… ]
Is he anything like this father?
[ it’s the first thing she asks. as if, perhaps, the one question might actually be enough to answer all the rest that could possibly follow. ]
[ robots! how terribly science fiction of him. her laughter is muffled, quiet, and it signals a parting of ways between peggy and her previous play-acting. there’s no game to be one in a moment like this one. ]
I imagine it was no coincidence that the two of you ended up working together. Like attracts like.
[ suggesting, somehow, that she considers both men to be odd and quirky (in their own ways). peggy adjusts how she sits, leaning her back against the bed’s rickety headboard. ]
He’s terribly handsome.
[ oh, no, here comes that playful ribbing once more. ]
[ her laughter fills his heart with a keen sort of both love and relief. He keeps his hand on hers and looks at the picture. He finds that it's easy to talk about Tony, despite of the pain. ]
we didn't get along at first. But he's a good friend.
[ she an read a kind of despair in him—something she suspects he’s trying not to reveal. and as tempted as she is to pry, peggy doesn’t. instead, she shakes away his hand—only so she can get a better look at the picture. ]
And this one! [ she points at thor. ] Arms like tree trunks. Good lord.
[ there will be time to figure out how she feels about a next generation of starks taking up the cause—but she can’t sort it out just now. ]
[ each name she commits to memory—and although she can’t imagine why she’d be called upon to recognize any of them, she knows that she could pick each one out of a crowd. these are steve’s friends—no matter if she never meets a single one of them, they’re worth knowing.
[ it slowly—silently—washes over her: steve had had a life (will have a life?) in the future. people near to him, dear to him, and people whose very existence would have impacted him at a foundational level. it’s a hard swallow—knowing that forces shaped him beyond the forces she already knew.
except, except, except. if not for his friends (his family) he might never have come back to her. he suggests that they pushed him to live more. ]
Alright. [ she snaps the book shut before leaning it up against an old, likely-busted lamp. she lays the photograph there, too, facing up and present. ] But this—here—isn’t home.
[ and here they sit shoulder-to-shoulder once more. but this time, it’s in a bed—his bed, for however long he’s been here—and peggy pretends as if it’s no different to how they’d sat together on her desk. ]
I can’t imagine you’re interested in making our partnership an official one.
[ a rather calculated beat. ]
Us working together.
[ considering all the trouble he went to earlier. ]
[ and just like that—he compels her to keep his secret. and peggy rarely met a secret she couldn’t keep. however, this one felt enormous. bigger than her. bigger than him.
it’s the kind of secret she already feels strangely guilty in keeping. but now isn’t the time to argue the point—as focused as steve might be on the stones, peggy maintains her focus on him. ]
We won’t be able to avoid an inquiry. They’ll want to know where you’ve been all this time.
[ or rather, she will and steve will try to follow along. He wants to say they will be busy with work to answer questions but that will mean telling her just how much work they have. ]
[ she scowls. it’s not quite so sincere a scowl as it ought to be, maybe, but it’s got some bite. and it doesn’t disappear even after she rubs a tired hand over her face before crooking both arms behind her head like a makeshift pillow against the old bed’s even older headboard. ]
I don’t suppose you’ve gotten any better at this sort of work, have you?
[ she asks—peeking sideways at him with a rather doubt-filled expression. she’s talking about telling lies. selling stories. ]
[ his journey to get the stones has proved as much. Steve realizes he will direly need peggy's help if he wants to see this through. He watches her with avid interest. ]
But I'll do the best I can not to stand in your way.
[ —an affectionate scoff. peggy shakes her head and tries (again and again) to hold on to her indignation in favour of thinking about the reality of the situation. it’s easier. ]
Sounds like your big plan is to sit back and leave me to do all the hard work. All the tradecraft.
[ it’s an implication she doesn’t resent—but it benefits her, just now, to let him fear (even if only ever so briefly) that she does. ]
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instead, she shifts an inch further up the bed—making room for him and making herself more comfortable. ]
I’d wager a tenner you already know the street—if not the exact address.
[ half-annoyed; half-proud. ]
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[ at least his smile is just a,tad guilty. He has the decency to do that. ]
How do you like it? Do you even spend any time out of the office??
[ he knows the answer to this, too. Still, he asks. ]
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[ she answers with a played-up huff. her chin lifts; she performs her defensiveness. peggy knows she’s guilty of burying herself in her work—that maybe, just maybe, those quips about being married to her job are more truth than joke.
it’s a near-impossible thing to admit to on a good day. doubly so when confronted with the example of someone who has fully relinquished his calling simply to be here. back here.
with her. ]
Tradecraft isn’t getting any quieter. [ this is what she confesses, instead. ] If I don’t go into the office then I wind up doing work at home—and that’s something of a security risk.
[ but she doesn’t want to talk about herself. so, instead, she starts to flip through his notebook with more attention paid—digging into its contents and details. ]
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These are my friends. My team - the Avengers
[ his voice softens. It's odd to talk about them when some of them have died. They will only meet again in years and years. ]
Earth's mightiest heroes.
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she turns a sideways photo right-side-up and marvels at its clarity and colour. ]
Sounds like a line you’d find on a propaganda poster.
[ earth’s mightiest heroes. but there’s something slight and honest in her smile—she doesn’t hate it. ]
—Who’s that?
[ peggy taps a familiar-looking man with a distinctive goatee. so quick and curious, she is. ]
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He's looking for the life Tony urged him to live. He knows he would approve of this in his own weird way. He looks at her and covers her hand with his. ]
I think you already know. Would you like ne to tell you about him?
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Is he anything like this father?
[ it’s the first thing she asks. as if, perhaps, the one question might actually be enough to answer all the rest that could possibly follow. ]
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[ he refuses to talk about Tony in past tense especially since here and now, he's in their future. ]
He talks to himself, and to his computer programs and he has robots who do everything for him. He's a genius. He also has a weird sense of humor.
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I imagine it was no coincidence that the two of you ended up working together. Like attracts like.
[ suggesting, somehow, that she considers both men to be odd and quirky (in their own ways). peggy adjusts how she sits, leaning her back against the bed’s rickety headboard. ]
He’s terribly handsome.
[ oh, no, here comes that playful ribbing once more. ]
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we didn't get along at first. But he's a good friend.
[ oh but now he has to laugh ]
he would have loved to hear you say that.
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And this one! [ she points at thor. ] Arms like tree trunks. Good lord.
[ there will be time to figure out how she feels about a next generation of starks taking up the cause—but she can’t sort it out just now. ]
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[ he points to the others ]
That's Bruce and Barton - this is Sam and Wanda and this one -
[ oh, he misses her terribly. It's been so very long. ]
That's Natasha. She's a good friend.
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worth remembering. ]
You look like a family.
[ —she offers, quiet and thoughtful. ]
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[ he looks at her ]
and I know for a fact they want me to live it. I've missed home, I've missed you. No matter how close we got - it wasn't the same. It wasn't home.
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except, except, except. if not for his friends (his family) he might never have come back to her. he suggests that they pushed him to live more. ]
Alright. [ she snaps the book shut before leaning it up against an old, likely-busted lamp. she lays the photograph there, too, facing up and present. ] But this—here—isn’t home.
[ she means the flat. ]
Now that you’re here—what’s next?
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[ it's a good question she's asking. He moves back and leans on the bed's headboard. He - they - need a plan. ]
You have work for me.
[ something about a Soviet operative in the file she's been looking for. ]
I have a bit of work, too. I hope I can help you in whatever you need. We'll figure out everything else as we go.
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I can’t imagine you’re interested in making our partnership an official one.
[ a rather calculated beat. ]
Us working together.
[ considering all the trouble he went to earlier. ]
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[ moving in together? Getting married? It's a good thing she completes the sentence before he does. He blinks before gathering his wits. ]
Of course. Yes. I'd want that. We're better as a team.
[ he's absolutely certain of it. ]
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[ she ignores the dip in his attention. the tell-tale gap between hearing and speaking. ]
Perhaps the public won’t hear of your return. But congress will get a whiff of you. Sooner or later. Are you prepared for that much attention?
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[ he's not excited to but she's right, they don't really have a choice. Eventually, it would get out. ]
So long as they don't find out about the stones. No one should. They only bring bad things.
[ and no politician should have that kind of power. ]
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it’s the kind of secret she already feels strangely guilty in keeping. but now isn’t the time to argue the point—as focused as steve might be on the stones, peggy maintains her focus on him. ]
We won’t be able to avoid an inquiry. They’ll want to know where you’ve been all this time.
[ read: they’ll need a lie. a good one. ]
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[ or rather, she will and steve will try to follow along. He wants to say they will be busy with work to answer questions but that will mean telling her just how much work they have. ]
I know I'm in the best of hands.
[ he quirks a smile at her. ]
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I don’t suppose you’ve gotten any better at this sort of work, have you?
[ she asks—peeking sideways at him with a rather doubt-filled expression. she’s talking about telling lies. selling stories. ]
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[ his journey to get the stones has proved as much. Steve realizes he will direly need peggy's help if he wants to see this through. He watches her with avid interest. ]
But I'll do the best I can not to stand in your way.
[ he's nice like this. ]
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Sounds like your big plan is to sit back and leave me to do all the hard work. All the tradecraft.
[ it’s an implication she doesn’t resent—but it benefits her, just now, to let him fear (even if only ever so briefly) that she does. ]
You must have gone soft.
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